Country: Italy / Chile / others
Movie Review: Chilean filmmaker Alicia Scherson travels to Rome, embarking in an ambitious project based on the last novel by Roberto Bolaño entitled “Una Novelita Lumpen”, dedicated to his two children and published for the first time in Spain, in 2002. The result was a powerful film that became easy to follow due to the curiosity aroused by their accurately built characters. The film is narrated by Bianca (Manuela Martelli), an orphan teenager who lost her parent’s in a car accident, has to keep an eye on her younger brother, Tomas (Luigi Ciardo), a reckless school skipper that hangs out with two bodybuilders of doubtful reputation. Not by chance, these characters installed themselves in the siblings' apartment since they had a plan to rob a blind, former actor and bodybuilder called Maciste (Rutger Hauer). For that, and with the future in mind, they persuade Bianca to act as bait, offering intimate pleasures to get access to his lugubrious mansion. A menacing sensation is constantly present, enhanced by the gloomy atmosphere and dim lights that surround the sinister character of Maciste. The confident direction can be sensed when the obscure scenarios become filled with a sort of enchantment ruled by strange forces and mixed with an absorbing psychological perversity associated to every act related to Bianca. Beautifully shot, “Il Futuro” is a confrontational coming-of-age tale about changing, where good and bad, present and future, sincerity and falseness, pureness and vice, are laid bare with purpose.