Movie Reviews: Tinatin Gurchiani’s directorial debut is a documentary focused on the reasons and motivations of a group of Georgians (ages from 15 to 23), for having responded to a casting call for a movie. After the first banal questions, the filmmaker starts to enter more in the personal life of the participants, being granted with easy access to their homes, dreams, and daily life, which intends to give an idea of current Georgia, former Soviet republic. In these unembellished interviews, each story told reveals to be very contrasting regarding the others. From the simple case of dreaming to be an actor, passing by psychological depression or disillusions of life associated to family problems, and ending in military reasons and war traumas, everything can be a motive to apply for the job. Not always satisfactory, the documentary itself lacks some dynamic, seeming sunk in the same depression of its guests/characters. Technically unimpressive, and with a sketchy approach, “The Machine Which Makes Everything Disappear” was incapable to compose the proper big picture of a socially affected and wistful country by gathering the individual stories of a few young inhabitants. I ended up paying more attention to the desolated landscapes and mistreated roads filled with elder people, than properly in what Gurchiani would like to have shown with the sad and despairing realities where traditional and modern coexist.