Movie Review: With works such as “Plan B”, “Absent” or “Sexual Tension: Volatile”, film director Marco Berger is promptly associated to Argentinean queer cinema. His new feature film, “Hawaii”, stars Manuel Vignau, retrieved from 2009 “Plan B”, and Mateo Chiarino, as two childhood friends who meet again in their hometown, now as adults. Martin (Chiarino) came back to his village in the countryside to look up for his cousin, who disappeared without a trace four years ago. Almost by chance, he asks for a summer job to Eugenio (Vignau), a childhood acquainted who is taking care of his former house that now belongs to his uncle. Since the first minutes together, it was clear that Eugenio is physically attracted to Martin whose behavior is more ambiguous but often enters in tense games with his host friend. As the pair starts to be curious about each other’s past, some recalls from their forgotten childhood come to mind, and the doubt if they are really in love is carried out till the final moments. With a pace that was not particularly involving, “Hawaii” relies in the mood created around the relationship. There were some issues in letting the emotions come out, and most of the time the timid, reserved and cold tones weren’t enough to hold our attention. The expressive score by Pedro Irusta, who also produces, almost evokes the dramatic silent films from the past, combining with the languid progression of an optimistic gay love story, which didn’t reach so satisfactory levels as “Weekend” or “Keep the Lights On”.