Directed by Alice Lowe
Alice Lowe is a busy (five features in 2016), talented, and sympathetic British actress and poignant writer (“Sightseers”) whose name is from now on associated to film direction. Her directorial debut feature is entitled “Prevenge”, a dark comedy thriller in which she plays Ruth, a psychologically disturbed pregnant widow who decides to slit throats to calm down her anger and her baby’s.
Her chosen victims are the ones who were involved in the climbing accident that killed her husband and she truly believes her fetus, with whom she has long conversations, is the real mastermind of the merciless, cold, and violent acts she commits.
The film is very graphical and the cinematographer, Ryan Eddleston, draws strong indie flavors from his glamorous shots. The bloody scenes are addressed as a mix of poetic veneration and careless joke, but it’s the dark humor that works best, usually extracted from the characters’ behaviors and relying on a few embarrassing situations.
The best sequences involve a lousy, selfish DJ (Tom Davis) who lives with his senile mother; an insensitive HR representative named Ella (Kate Dickie), who works alone until late and insists her company needs to do ‘harsh cuts’; and Len (Gemma Whelan), a brave woman who tackles Ruth with boxing gloves on her hands.
Lowe, whose performance is half of the film and looks great as a demented slasher, reserves us a trippy finale packed with bloodshed and urban folklore elements.
Simultaneously entertaining and zany, “Prevenge” is already a massive success near younger audiences.
However, it lacks the superior pitch-black tones and emotional strength of “Sightseers”, feeling somewhat puerile in its approach.