Seagrass (2024)

Direction: Meredith Hama-Brown
Country: Canada

Seagrass, the directorial feature debut by Canadian actress Meredith Hama-Brown, is an uneven family drama centered on a decaying marital relationship exacerbated by recent loss. Rather than committing to a specific mood, the film explores various emotional territories, constantly obsessed with trauma both within both adult and youth realms. Hama-Brown also infuses a supernatural element in the story that fails to resonate.

In the wake of her mother’s death, Judith (Ally Maki), a Canadian of Japanese descent, and her husband Steve (Luke Roberts) seek marital therapy at a coastal retreat in British Columbia. Taking their two daughters - Stephanie (Nyha Huang Breitkreuz) and Emmy (Remy Marthaller) - with them, they still manage to find time to hang with regulars Pat (Chris Pang) and Carol (Sarah Gadon), who love to offer a bit of advice about everything. 

The doubts, confused feelings, and deep-seated disconnection that keep tormenting the lead character are valid, but Seagrass lacks groundbreaking originality, ultimately concluding on a disconsolately vague note after a powerful premise. Infrequently compelling, the film struggles with fabricated scenes and artificial musical moments, which only serve to heighten melodrama in a plot that simply doesn’t know where to go.