Direction: Felipe Gálvez Haberle
Country: Chile / Argentina / other
Felipe Gálvez Haberle's directorial debut, The Settlers, delves into a dark chapter of Chilean history, chronicling a harrowing journey undertaken by three men from Tierra del Fuego to Argentina with the sinister aim of exterminating Indigenous peoples across the pampas.
Set in 1901, the narrative revolves around Segundo Molina (Camilo Arancibia), a young mixed-blood tracker and skilled marksman, who joins forces with Alexander MacLennen (Mark Stanley), a ruthless English Lieutenant, and Bill (Benjamin Westfall), a prejudiced American mercenary. Both men are hired by Jose Menéndez (Alfredo Castro), a wealthy landowner who disposes the Indigenous people from their land to profit. Along their journey, they bump into a competitive Argentinean captain and a despicable Scottish colonel, carrying out their mission with tenacity. Interrupted by a seven-year gap, the two-part narrative culminates in the visit of Mr. Vicuña (Marcelo Alonso), an intellectual nationalist working for the Chilean president, to Menéndez, in the last corner of the Earth.
Inspired by real characters, the film effectively captures the poignant brutality of the genocide perpetrated against the Selk'nam Indians in Chile. Its portrayal of a primitive environment tinged with political upheaval and savage acts evokes the spirit of classic westerns, here infused with shades of Herzog and Jodorowsky’s filmmaking styles.
Haberle keeps sentimentality away and doesn’t spare us to violence. The film’s heartrending conclusion may leave viewers feeling somber, with a sense of pure intoxication. Despite its bleak topic, The Settlers is elevated by its stunning location shots and the sharp cinematography of Simone D’Arcangelo, who previously showcased his talent in the exquisite The Tale of King Crab (2021).
