Directed by Patty Jenkins
Country: USA / other
“Wonder Woman”, another hyperbolic action-packed wonder-stuffed fantasy rich in highly stylized visuals and heroic passion, fails to engage.
Directed by Patty Jenkins, best known for her compelling debut drama “Monster”, the film was painted according to the screenplay delivered by Allan Heinberg, who also wrote the story together with Zack Snyder (“Man of Steel”, “Batman v Superman”) and Jason Fuchs.
To sweeten things, the creators envisioned a quasi-platonic romance between Diana, an immortal Amazon princess valiantly played by the sculptural 51-year-old Gal Gadot, and Cpt. Steve Trevor (Chris Pine), a young British spy she saved from drowning when his plane crashed.
The self-confident Diana combines the majestic natural powers passed by her father Zeus and the corporeal agility gained with the training received from her brave aunt, Antiope (Robin Wright). Departing from the beautiful hidden island she was raised on and leaving the Amazon queen (Connie Nielsen) and mother behind, Diana embarks on a risky mission to free the world from the hands of Ares, Zeus’ renegade son and god of war, who must be found among the tyrant Nazis and annihilated.
Besides a couple minor twists, the tale advances in a predictable way while presents us with loads of crossfire that makes our eyes tired and our brains slightly numbed. Despite the righteous message and Diana’s tenacious dedication to serve-and-protect humanity, the attributes of the film, even fashionable, are not so strong or new.
“Wonder Woman”, whose first part was much more interesting than the second, is the fourth installment of DC comics, and although better than the previous three, still struggles with stereotypes and unevenness.