Movie Review: Set in Imbros, currently known as Gokçeada Island, “Winds” makes a nostalgic portrait of a loved one’s loss and the sad reality of an island abandoned by the exodus. Murat is a photographer and sound recordist who left Istanbul to capture the sounds of a Greek village in the cited island, the largest of Turkey. There, he will become friends with a solitary elderly woman, Madam Styliani, who discloses her life story and gives him a lesson in history that Murat will keep as a treasure in his old cassettes. Two years later, Murat returns to the island finding her door completely closed. Madam Styliani had already died, but her granddaughter, Eleni, the main subject of her proud narration, had arrived in the island from France. Murat and Eleni embark in a contemplative discovery of places and objects, while listen to the recordings. The concept of recording sounds is not entirely new - the Irish “Silence”, directed by Pat Collins, reveals to be a much more ambitious and ambiguous depiction than “Winds”, which adopts a direct and ultimately predictable development. The shots of the pair riding a motorcycle throughout the deserted roads of the island were pretty similar to Nuri Bilge Ceylan’s 2006 “Climates”, while in the final moments both a glimpse of possible romance and communication with the dead, didn’t bring anything remarkable. Perhaps too detailed and quiescent, “Winds” seemed overextended and failed to engage as a whole.