Both Sides of the Blade (2022)

Direction: Claire Denis
Country: France

Vincent Lindon and Juliette Binoche perform together for the first time in Both Sides of the Blade, a heart-in-the-sleeve romantic drama that flutters with the psychological adjustments and frustration of complex adult relationships. They are Jean and Sara, respectively, a couple living happily together for nine years. He, a man of few words with a son from a previous marriage, is an ex-con and former professional rugby player; she is a radio personality full of life and very supportive of him. Their life together takes an unexpected turn, starting to crumble in front of their eyes, when François (Grégoire Colin), Jean’s once best friend and Sara’s ex-lover, returns to town after a long absence, rekindling certain feelings that are impossible to control. 

It’s understandable why the actors were attracted to director Claire Denis’ script, as it gives them opportunities to go deep in emotion. The French director, whose past work includes Beau Travail (1999), 38 Shots of Rum (2008), Let the Sunshine In (2017) and High Life (2018), worked together with the novelist Christine Angot, inflicting gravitas and depth in the adaptation of the latter’s 2018 book Un Tournant de la Vie. Despite the familiarity of the topic, the film doesn’t succumb to any identity crisis. In her sober way, Denis depicts this de-romantization with steady tinges of doubt and pathos and keeps it zipping along to a sad conclusion. 

Painful into-the-lens confessions bolster the tone with a desperate, beseeching stare, while Tindersticks’ wistful song, which gave the film its title, cuts to the heart as soon as the final credits roll. It’s one of those cerebral love triangles that does not resolve in any form.