Direction: Chad Stahelski
Thrilling, enigmatic, and impeccably shot, the third entry in the John Wick neo-noir saga is not for the fainthearted, standing above the mediocrity that keeps enveloping the action-thriller genre. Under stuntman Chad Stahelski’s sure-handed directorial style, Keanu Reeves embraces the title character with no smiles in a hectic performance at the physical level, but pretty relaxed in terms of lines.
Even though his life now worths $14 million, the ‘excommunicado' and former assassin John Wick manages to escape his avid hunters with the precious help of a bunch of old pals. While Wick runs desperately throughout the streets of Manhattan, experiencing uncanny encounters and trying to evade fierce opponents, the ones who helped him are severely punished by the obscure, authoritarian council of high-level crime lords called the High Table, here almost fully represented by The Adjudicator (Asia Kate Dillon), a powerful female figure committed to track him down. She relies on Zero (Mark Dacascos), a relentless Japanese assassin hired to bring him down.
However, through his valuable underground contacts, Wick reaches Casablanca, where he re-encounters a former colleague, Sofia (Halle Berry returns in big). She prudently accepts to help him find The Elder (Saïd Taghmaoui), the only man above The High Table that can set him free, but not without a little revenge to settle their sore past.
Violent images filled with shooting rampages, knife-throwing disarrays, and spectacular chases combine with flawlessly choreographed physical fights, rather provoking and entertaining than actually disturbing.
With a terrific score fitting hand-in-glove with the noir imagery and a top-notch supporting cast elevating this chapter into a fairly good position, Parabellum surprises with a mix of comic book angst and tricky escapism.