Directed by Hong Sang-soo
Country: France / South Korea
I can understand why Claire’s Camera, the new drama film by Korean director Hong Sang-soo, may be considered a bit shallow for some viewers. At the first sight, the story feels somewhat underdeveloped, but a deeper look into its incidents made me appreciate it more. Shot during the 2016 Cannes film festival, the film is an insouciant 68-minute reflection on relationships and time, the transitory and the permanent.
The most delightful episode of the film happens during its first minutes, when Manhee (Kim Min-hee), a film selling person in Cannes, is forced to resign from work without an acceptable reason. Her boss, Yanghye (Chang Mi-hee), justifies the fact with a sudden loss of confidence after five years working together but contradicts herself during the explanation. She states she hired her because of her honesty, something you can’t change with time, but now is trying to convince her that it changed.
After a while, we learn that the true reason for the dismissal was jealousy. The 50-year-old filmmaker So Wansoo (Jung Jin-young), for whom they work, slept with Manhee while drunk. Nothing wrong with that if he wouldn't be maintaining a romantic relationship with Yanghye.
The sadness of being without a job becomes attenuated when Manhee befriends Claire (Isabelle Huppert), a full-time Parisienne teacher and part-time photographer who is in Cannes for the first. She meets director Wansoo by chance, becoming a bit shocked by how much he drinks, and through her magical camera, encourages Manhee to figure out what she wasn’t capable to understand.
Fluctuating with slight temporal shifts, the narrative feels manifestly comfortable while the dialogues don’t measure up to other Sang-soo works, but feel naturally engaging nonetheless. Only some of the scenarios felt a bit too composed.
This is the second time that celebrated French actress Isabelle Huppert (The Piano Teacher; Elle) works with Sang-soo, following their auspicious collaboration in 2012 with In Our Country. In turn, Min-hee (The Handmaiden), after the polemic news regarding her real-life affair with the director, continues his muse, having participated in all his works since 2015.
Claire’s Camera is not among the director’s best efforts and yet, has the power to captivate us with its lightness, effortless spontaneity, and instinctive charm.