Direction: Ioana Uricaru
Identity and immigration are two intimately related topics in Romanian Ioana Uricaru’s debut feature, Lemonade, which also addresses xenophobia and abuse of power. The film’s main character is Mara (Mãlina Manovici), a thirty-something Romanian nurse and single mother, who, living in the US, struggles to make a new life for herself and her nine-year-old son, Dragos (Milan Hurduc). In five weeks, she fell in love and got married to Daniel (Dylan Smith), an American landscapist whom she treated after a severe work accident. She applied for a Green Card, but is still not allowed to work in American soil until the case is approved, what makes her financially dependent on Daniel. The process can take years and everything depends on Moji Wijnaldum (Steve Bacic), the US Immigration official that interviewed her.
When the prepotent Moji calls her, mentioning a problem with her application, it was inevitable to cogitate about sexual favors. Because her son was with her, Mara gets late to the meeting and naively agrees to get in Moji’s car to be interrogated, an illegal procedure aggravated by the subsequent sexual assault. She is also informed that her husband has a record, a past case related to an offense against a minor. And because misfortunes never come singly, she finds the police at her door since her best friend, Aniko (Ruxandra Maniu), left Dragos temporarily alone at home to go to work. No need to say that serious family problems arise as soon as Daniel finds out what happened.
It’s easy for us to involve in the drama of this woman. However, the film, co-produced by celebrated writer/director Cristian Mungiu (4 Months, 3 Weeks and 2 Days; Graduation), weakens in its second half when both the inquisitiveness and uneasiness gradually fade out to give place to humiliation and legal strategy. It’s a well-acted, if too polished, exercise tinged with sadness and hope alike. Still, the valid ideas had a considerable margin for improvement.