Direction: André Novais Oliveira
Although unfurling slowly and feeling somewhat turgid in its behaviors, Long Way Home / Temporada, a project by André Novais Oliveira, offers warm, friendly vibes along the way that might keep you connected. One of the strongest aspects of the film is the unexpectedness of a plot bolstered with credible performances from Grace Passô and debutant Russo Apr.
At the center of the tale is Juliana (Passô), a married woman who leaves her small-scale Brazilian hometown, Itaúnas, to embrace the bigger metropolitan town of Contagem, where she was called for a coveted yet poorly paid governmental job within the public-health department. She becomes a fighter in the arduous endemic control of the Dengue mosquito. Her husband is supposed to join her after she settles down but vanishes without a trace.
Meanwhile, Juliana befriends her immediate superior Russão (Apr), a nice, funny guy who plans to open a barber shop and, against all the expectations, finds out he is a father.
Every co-worker has a story and a cross to bear, but they find support in one another with an empathic understanding and abundant compassion. After all, Juliana is forced to a fresh start. With her arms wide open, she embraces a new life where everything is unfamiliar and uncertain. Yet, there’s always something to discover in each and every experience.
Disillusion, frustration, and affliction counterbalance friendship, self-discovery, and hope. Oliveira’s direction is virtuous and his vision substantiates humanity. Still, he could have included the violence theme, a major problem in Brazil, in order to make this snapshot even more authentic. Although I didn’t get completely fulfilled in the end, the film has quite a few fascinating moments and is worth seeing.