Ready Or Not (2019)


Direction: Matt Bettinelli-Olpin and Tyler Gillett
Country: USA

You can likely tell by its thrilling premise that Ready Or Not belongs to those restlessly dynamic films pervaded by gory action and mordant dark humor. In truth, we are before a deeply nuts fusion of comedy and horror that is something you should go for, even considering its final stage sillier than expected.

Co-directors Matt Bettinelli-Olpin and Tyler Gillett worked from a simple yet effective script by Guy Busick and R. Christopher Murphy, populating the parody with funny characters. And I mean all of them, with no exception, since even the most evil ones are gorgeously shaped with deadpan drollness.

Samara Weaving is Grace, a happy newlywed who is anxious to be officially accepted by the wealthy family of her enamored spouse Alex Le Domas (Mark O’Brien). As an orphan, having a permanent family now is of extreme importance to her. However, that could only occur after she plays a deadly hide-and-seek, the game at the base of an ancient wedding night ritual across generations of that lineage. In shock, but decided to survive, Grace hides in the huge mansion while her new relatives hunt her madly and ferociously with rifles, axes, and crossbows. Luckily, this girl has a temper!


The only good soul who tries to save her is the devastated Alex, who couldn’t persuade his mother, Becky (Andie MacDowell), to help him, despite the affection demonstrated toward the bride. Becky’s husband, Tony (Henry Czerny), reveals to be the most fanatical of the hunters, while their daughter, Emilie (Melanie Scrofano), provides some of the most hilarious moments, motivated by her drug addiction and complete disorientation. The bitter Aunt Helene (Nicky Guadagni) and Emilie’s treacherous husband, Fitch Bradley (Kristian Bruun), are equally worthy of mention.

Apart from the ludicrous consequences of a violated pact with Satan, this wickedly bold absurdity offers some memorable lines and scenes. The phrase “I want the divorce” never had so much meaning, while the final images of Grace relaxingly smoking a cigarette soaked in blood come into my head whenever the film is mentioned.