Rosie (2019)


Direction: Paddy Breathnach
Country: Ireland

The low-budgeted Irish indie drama Rosie addresses one of the biggest problems the world is facing today: gentrification. The situation mostly affects the bigger cities and can be seen as a new form of random human cruelty.

While her husband, John Paul (Moe Dunford), is working hard at a busy restaurant, Rosie Davis (Sarah Greene) is inside their parked car with her four children, making consecutive phone calls in an attempt to get a hotel for just a few nights. No, they are not planning vacations… the reality is much different and appalling; they became homeless after their landlord sold the house, a social injustice that is commonly disregarded by politicians who, many times, benefit themselves in the ‘ungovernable’ real-estate business. I’m so glad that New York gave some signs of progress recently regarding this matter, when a rent-reform package was approved to protect the frequently harassed tenants.


The struggle is daily and the pressure is high. Fear and shame invade their lives, but they refuse to let frustration or panic take control. Besides the lack of stability and having to sleep in the car sometimes, the family was blessed by a strong loving bond. We never see these attentive, caring parents acting impatiently or aggressively toward their kids, even when they misbehave or rebel.

Despite some incautious hand-held camera movements, the director Paddy Breathnach (Viva) did a satisfying work in capturing a realistic scenario. He worked from a bold script by Roddy Doyle (The Commitments), who was inventive enough to put Lady Gaga staying at one of the hotels while gigging in town and turn a serious, sad moment into a fun battle of fries.

Depicting 36 stressful hours in these people's lives, the film doesn’t grant a resolution. However, it’s a heartbreaking, accurate, well-acted ride that made me think about how easily things can be lost in a moment and how miraculous love can be when in the face of desperate situations.