Scales (2021)

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Direction: Shahad Ameen
Country: Saudi Arabia

This art-house Saudi Arabian Oscar-entry film is an unhurried feminist parable with a powerful message, dazzling visual appeal (in a stylized black-and-white) and interesting symbolism and surrealism. The film, written and directed by Shahad Ameen, takes the form of a dystopian fairy tale, telling the story of a 12-year old girl, Hayat (Basima Hajja), who lives in a barren rocky island and is seen by the entire village as a bad omen.

This has to do with an ancient tradition that compels every family in the village to sacrifice a daughter and offer her to the sea. Their fate is to become mermaids and later be hunted by men. However, Hayat’s father (Yagoub Alfarhan) spares her life in a last-minute impulse. 

His act is seen as cowardice but, on the other hand, will give Hayat a chance to prove she is as brave, determined and capable as any man. Everything gets stuck in a rut when her contemptuous mother gives birth to a boy. It’s a constant battle against fate, an indefatigable refusal to accept men’s empowering rules and earn, if not total freedom, at least equality. 

Hypnotic and allegorical, Scales flows exquisitely, compensating the scarce dialogue with facial expressions - frequently captured through intimate closeups - that speak volumes. I understand that its opaque route, sometimes recalling Michelangelo Antonioni, may drive away a few viewers, but the attentive ones will know what to extract from the rich imagery and metaphorical point of view.

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Wadjda (2012)

Wadjda (2012) - New Movie Review
Directed by: Haifaa Al-Mansour
Country: Saudi Arabia / Germany

Movie Review: “Wadjda” is the first feature film accomplished by a female Saudi director, the debutant Haifaa Al-Mansour, who was triply awarded in Venice and has to be congratulated for this rewarding piece of cinema. Set in the suburbs of Riyadh, Saudi Arabia, the story tactfully follows Wadjda (Waad Mohammed), an 11-year-old girl whose dream is to buy a green bicycle that is exposed in front of a store where she passes every day. This gives rise to a problem since girls from her culture are discouraged to ride bikes and her mom, who is more concerned with the possibility of her husband's second marriage, does not even consider that fact. But Wadjda is determined not to give up, and her eye for business and some special favors conceded to a schoolteacher will bring her an extra income, which nevertheless is insufficient. Her last hope is to win the school's Koran contest whose cash prize is considerably large. With a touch of modernity, the film addresses the strict morals of a society and their impact on women with a sort of lightness and freedom that are not very common on movies alike. There is sweetness in the children’s non-harmful but illicit operations to get what they want, but there is also an evident disappointment and frustration in Wadjda’s mother that is understandable. Merit goes to the newcomer filmmaker who built a compelling drama with great sense of storytelling and handled with expertise and absolute confidence.