Direction: Wes Anderson
Country: USA
In his latest feature, The Phoenician Scheme, Wes Anderson takes aim at capitalism without morals, blending slapstick and absurdism in a live-action espionage comedy suffused with sumptuous visuals and imaginative scenarios marked by his signature symmetry. Co-written with Roman Copolla and dedicated to his father-in-law, Lebanese businessman Faoud Malouf, the film was primarily shot at Babelsberg, the world's oldest film studio, and boasts an impressive cast led by Benicio Del Toro, Kate Winslet’s daughter Mia Threapleton, and Michael Cera.
Zsa-Zsa Korda (Del Toro), a cunning, wealthy industrialist, has survived multiple plane crashes and assassination attempts. Wanted for fraud, he is a man of countless schemes and grand projects for the Phoenicia region. He designates his daughter Liesl (Threapleton), a 21-year-old nun, as the sole heir to his empire.
The story zigzags between relentless assassins—all former employees of Korda—infiltrators, double agents, betrayals, revolutionary guerrilla robberies, mysterious shoeboxes, and a hilariously odd basketball competition. The dialogues are surprisingly witty, and Anderson’s cinematic universe is stylized to reflect his unique whims. The Phoenician Scheme may not fully achieve the greatness it aspires to, but it offers a relentlessly stylish parade of comic characters—certainly a more charming, funny, and captivating experience than Anderson’s previous dull feature Asteroid City (2023). At least here, I remained invested in the characters, in a film propelled by an atypical rhythm and enlivened by an unapologetic “cartoon” sensibility.
Framed by fragmented twists, it doesn’t always land both narratively and comically, but its flashes of darkness bring a welcome novelty to a burlesque depiction of society that questions our times with explosiveness and wild madness.
