Direction: Ramin Bahrani
Country: India / USA
A successful and confident Indian entrepreneur named Balram Halwai (Adarsh Gourav in his first leading role) tells his own story, describing step by step how he transitioned from darkness to light. Born to a lower-caste family in Laxmangarh, India, Balram is cautiously ambitious when he decides to move to Delhi and become the driver of The Stork (Mahesh Manjrekar), the former landlord of his poor hometown.
Although doing financially better than everyone else in his family, he remains a servant tied to tradition, being often mistreated and humiliated by his employer. However, the latter’s son, Ashok (Rajkummar Rao), who embraces progressive ideas due to the influence of his New York-raised wife Pinky (Priyanka Chopra), picks him as his own chauffeur. Lucky him! Yet, an unexpected and traumatic incident involving the aforementioned couple takes him to uncomfortable places.
Under the attentive direction of Iranian-American Ramin Bahrani (Chop Shop, 2007; Goodbye Solo, 2018; 99 Homes, 2014), who based himself on Arvind Adiga’s 2008 novel of the same name, The White Tiger is assembled with intelligence, humor and horror. It works on several levels, challenging us to think about the submissiveness and enslavement of people from these lower castes, who have to figure out the best way to survive, as well as the supremacy and abusive behavior of those in the higher castes, which in this particular case is aggravated by bribery. The moral concerns haven’t stop here since the means employed by Balram to achieve success also come to the table.
With strong acting and vivid narration, The White Tiger provides a darkly triumphant on-screen experience.
