Photograph (2019)


Direction: Ritesh Batra
Country: India

From the director of The Lunchbox, Photograph doesn't feel so distinguished as its predecessor. Indian director Ritesh Batra makes a demure tribute to love by leisurely depicting a romance that brings as much good intention as naivety to the screen.

Rafi (Nawazuddin Siddiqui - also starred in The Lunchbox) is a serene, if struggling, street photographer now living in a constant pressure after his grandmother (Farrukh Jaffar) has decided to find a woman for him to be married. While she sets out running the vivid streets of Mumbai in searching for a good match, Rafi becomes the talk of the town. Sort of embarrassed yet unwilling to do something he doesn’t want to, he asks a humble middle-class accounting student, Miloni (Sanya Malhotra), to lie to his grandmother while pretending to be his fiancé. The fact that Miloni isn’t happy with an arrangement made by her conservative parents to meet the son of some friends, who is departing to the US, made her take an attentive look at Rafi, understanding his reasons and tribulations. Against all odds, the fake couple actually falls in love, acknowledging that sacrifices are to be made in the interest of a happy future together.


The story was written by Batra in a thoughtful way but fails to succeed in many aspects, opting for gimmicky subtle procedures for tackling a typical love story. The director pushed aside any tear-jerking scenes, but perhaps he was too permissive in an unconscious way for the film’s own disadvantage. Even making us rise and shine with an impeccable smart conclusion, this wasn’t enough to make Photograph a special love story.