Wobble Palace (2019)

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Direction: Eugene Kotlyarenko
Country: USA

Starting promisingly, Wobble Palace combines post-mumblecore comedy and millennial romance but turns out more pathetic than astute. The film is slightly provocative, though, albeit the mind-numbness you may experience with the sexual rites and erotic fantasies of the one-dimensional leads. Even inevitably chuckling in the most ridiculous situations, I can’t pronounce it a funny experience.

The clear, crisp cinematography of Sean Price Williams (Alex Ross Perry and Safdie Brothers’s regular choice) became the most substantial aspect of a pretentiously artsy comedy written, starred, and directed by Eugene Kotlyarenko. In his fifth feature, he plays Eugene, a funny-haired native of Russia who lives in Los Angeles and goes through an experiential, still on-going breakup process with his girlfriend Jane, played by co-writer Dasha Nekrasova.

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While Eugene invites several women to the cute apartment he still shares with Jane, the latter actually starts something apparently more serious with her friend Ravi Gupta (Vishwam Velandy), a wealthy Indian guy and Trump-supporter with whom she has a strong chemistry. However, this trial phase goes awry for both of them and out-and-out separation seems the unavoidable next step.

The spirit and looks of the independent cinema are on display. Still, the plot is too flimsy and unconcerned, climaxing with a boring and despondent Halloween party where it’s hard to distinguish between what is meant to be funny. With a little more thought and less gaudy scenes, the film could have found a better outcome. Nevertheless, Wobble Palace is just an unorthodox trinket providing very limited enjoyment.

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