The Woman King (2022)

Direction: Gina Prince-Bythewood
Country: USA 

Between the historical African ballad and the feminist epic, The Woman King advances unspectacularly academic, annoyingly predictable, and blatantly contrived. The basic and uninteresting screenplay by Dana Stevens drove me away, making the proceedings misfire in its archetypes as quick as they attempt to connect. 

A bit more tension, characterization, and drama were required, while the unassertive directorial approach of Gina Prince-Bythewood (Beyond the Light, 2014; The Old Guard, 2020) makes it less impactant than it should. Viola Davis (The Help, 2011; Fences, 2016), in the role of General Nanisca - leader of the Agojie, the all-female group of warriors of the African kingdom of Dahomey - still conveys appreciated bravery, but the film is hermetic to its political and historic consideration, being reduced to a mediocre effort with the delicate topic of slavery at the front and an ineffective twist as an attribute.