The Menu (2022)

Direction: Mark Mylod
Country: USA 

Gastronomy and madness go hand in hand in The Menu, a pungent psychological thriller served with large portions of humor. I found it agreeably witty despite the grimness, with an excellent performance by Ralph Fiennes in the role of reputed if enigmatic chef Julian Slowik, who happens to be a disgruntled sadomasochist storyteller. Mark Mylod, in his first theatrical effort, directs from a script by Will Tracy and Seth Reiss.

The chef’s special dinner is served in his exclusive restaurant located on a remote island. The menu is far from classic and the elitist guest list includes a vain food critic and her editor, a wealthy couple of regular customers, three arrogant business partners, a washed up movie star and his assistant, and the self-centered Tyler Ledford (Nicholas Hoult), an undisturbed food lover. The latter took his new date with him, the confident Margot Mills (Anya Taylor-Joy), without giving previous notice to the restaurant. Chef Slowik is particularly intrigued by her presence. 

Creative and unique in its conception, the film presents a dark side that haunts, scares and lingers. A number of substantive observations about one’s dreams and our society are to be savored, and the relaxed but steady pacing allows the buildup of an emotional crescendo. Giving us penetrating looks, Fiennes completely controls the kitchen, avoiding fussiness and sentimentality, while the the music composed by Colin Stetson - an estimable avant-garde multi-reedist - accompanies sophisticated plates and key moments alike.

By the way, never the thought and vision of a cheeseburger made such an impression on me. And by this time your appetite should be big for both the food and the movie.