The Lost King (2023)

Direction: Stephen Frears
Country: UK 

Although historically interesting, The Lost King is academic in many aspects, which is upsetting since it comes from Stephen Frears, an experienced director whose major works include Philomena (2013), The Queen (2006), Dirty Pretty Things (2002), and Dangerous Liaisons (1988). Stumbling in a faulty staging, this classically crafted film inspired by an incredible true story, tries too hard to please the audience, but it shrieks as it aims for that middle bar that pushes everything into comedic context. 

This is the story of Philippa Langley (Sally Hawkins), a mother of two with chronic fatigue syndrome whose determination and subjective intuition lead her to the spot where the cursed King Richard III was buried. His body had never been found since his disappearance in the Battle of Bosworth Field in 1485. Guided by passion and obsession, and having fleeting dialogues with the ghost of the king (Harry Lloyd) while roaming through the streets of Edinburgh, she succeeded where many have failed.

Steve Coogan, who also stars as the protagonist’s supportive ex-husband, co-wrote this infinitely modest autobiographical drama with Jeff Pope, never missing an opportunity to adorn the situations with a dash of British humor. 

The dragging first half makes it harder for us to fully enjoy what comes next, and by the time the story reaches its climax, all my excitement has been drained away. All those cynical opportunists, tough sponsors, and difficult excavations don’t emanate enough tension, with Frears struggling to give a consistent rhythm to the storytelling as well as to find a distinctive style. One of those cases where the tedium outweighed the anticipation.