Maggie (2015)

Maggie (2015) - Movie Review
Directed by: Henry Hobson
Country: USA

Movie Review: When the world becomes a dreadful stage populated by zombies, the ones who are not contaminated try, by all means, to follow the basic security procedures that allow them to protect themselves and their families. The only one who seems not to be conscious about the risks involved in the matter is Wade (Arnold Schwarzenegger), a small-town farmer who defies everyone and everything to liberate his infected daughter, Maggie (Abigail Breslin), from the hospital’s quarantine and bring her home, despite the discernible reluctance of his apprehensive wife. Maggie, a spoiled teenager whose arm is increasingly putrefying, compulsively cries after realizing her horrible condition, and yet in the next scene, she unconcernedly laughs in the company of her bullheaded father, perhaps in a frivolous attempt to alleviate a mood that was never gripping. A multiplicity of dull situations is thrown at us, causing my impatience to grow exponentially as the time passes. I couldn’t help chuckle sarcastically when the family doctor rebukes Maggie for having chopped her finger off, underlining that her repulsive arm is to be kept in spite of the spreading wound. The dialogue is as rotten as Maggie’s arm, and the monotone voice of the ex-Governor Schwarzenegger, a stiff actor, dramatically speaking, contributed to the general discouragement. Lukas Ettlin’s unexceptional cinematography, in addition to David Wingo’s half-tense half-sentimental score, weren’t the fundamental keys required, since the script itself revealed a feebleness that relegates this post-apocalyptic zombie flick to the list of undesirables. “Maggie” was sloppy instead of thrilling, and feckless instead of captivating. It feels like a joke, impossible to be taken seriously.

Welcome to Me (2014)

Welcome to Me (2014) - Movie Review
Directed by: Shira Piven
Country: USA

Movie Review: Shira Piven’s sophomore feature, “Welcome To Me”, is a mordant voyage into the disturbed mind of the self-centered Alice Klieg (magnificently played by Kristen Wiig), a fanatic of Oprah Winfrey, who was diagnosed with Borderline Personality Disorder when she was 16 and is willing to spend a great part of her Mega-Millions fortune in the production of a television talk show whose topic is herself. Ironically or not, the film opens with a Montaigne’s sentence that starts: ‘I studied myself more than any other subject’. Well, we can’t say Alice knows herself, especially after stop taking the medication by her own initiative, getting more and more unpredictable and whimsical - after becoming a millionaire, she moved into a reservation casino and has a white limo waiting at the door. Her ridiculous 2-hour show ranges from culinary lessons, where she can silently eat up a big slice of meatloaf cake, to dramatic reenactments of both traumatic and joyous situations of her past. When her show goes on the air for the first time, she demonstrates an uncontrollable satisfaction in front of the cameras, talking about her illness and shamelessly making intimate revelations, like how she has been using masturbation as a sedative for so many years. As if this is not enough, her show gets a new dimension after she burns herself in the chest with hot soup and performs a dog castration, causing a judicial process by the ASPCA. In the meantime, the outrageous Alice sees a lot of personal relationships going bad, understanding that they must be fixed. “Welcome To Me” managed drawing some hilariously crazy moments but started slumping in the last third, exactly when Alice decides to make up with her beloved ones. Piven’s direction didn’t stand out, but didn’t compromise either, whereas Wiig is at her career-best.

Far From The Madding Crowd (2015)

Far From The Madding Crowd (2015) - Movie Review
Directed by: Thomas Vinterberg
Country: UK / USA

Movie Review: Carey Mulligan gives a resplendent performance in “Far From The Madding Crowd”, the newest adaptation of Thomas Hardy’s novel of the same name, this time written by David Nicholls and directed by the Danish Thomas Vinterberg (“The Celebration”, “The Hunt”). This same novel had been adapted to the big screen for several times, with the John Schlesinger’s 1967 version, starring Julie Christie, Alan Bates, Terrence Stamp, and Peter Finch, being the most successful one. Vinterberg’s modern adaptation was set with dignity, bestowing the required variations in mood, tenderness, and passion without falling in tear-jerking schemes. I have to give him the merit for maintaining high levels of interest and motivation in the story, from start to finish. With the rustic visuals of Victorian England’s countryside as background, Bathsheba Everdene (Mulligan), a beautiful, progressive, and independent woman, refuses to get married with her aunt’s neighbor, the young shepherd, Gabriel Oak (Mathias Schoenaerts), even nurturing some affection for him. All of a sudden, the latter falls into ruin and moves to a contiguous land, exactly where Bathsheba inherited the best farm from an uncle. After meeting again, they become the closest friends and the loyal Gabriel agrees to work for her. His quietness doesn’t conceal his passion, however, his patient heart is crushed when two other suitors start to court Miss Everdene. One is a nervously obsessive wealthy man called Boldwood (Michael Sheen), the other is the broken yet dauntless Sergeant Troy (Tom Sturridge), a master in swordsmanship whose bitterness thickens day by day since he was far from his true love, Fanny Robbin (Juno Temple). Uninventive but charming, this opportune, nice-looking film adds appreciable value to the uncertain romantic dramas that keep arriving in theaters.

The Cut (2014)

The Cut (2014) - Movie Review
Directed by: Fatih Akin
Country: Germany / others

Movie Review: German filmmaker/screenwriter of Turkish descent, Fatih Akin, roundly stumbles in “The Cut”, a grim picture about an Armenian family man who survives the terrible genocide inflicted by the Turkish in 1915, during the Ottoman Empire. The sad story of Nazaret Manoogian (Tahar Rahim), who was hauled from his house and taken to isolated arid mountains for hard labor, never truly did much to gain our attention and cogitation. He miraculously survives the massive throat slitting perpetrated by the oppressors but loses his voice. After briefly joining a group of rebels, he decides to abandon them and go after his family. The only one he finds with life is his sister-in-law who, in a deplorable state, expects being struck by death at any minute. Hapless and emotionally devastated, a little hope will spark in his heart when he bumps into an old acquaintance that tells him his twin daughters might be still alive. The relentless search takes him to Havana and then to the US, where a few intractable episodes won’t frustrate the renewed Nazareth of regaining hope and faith. Whatever were the intentions of the acclaimed Mr. Akin, who has unforgettable dramas in his curriculum such as “Head On” and “The Edge of Heaven”, “The Cut” slides into commercial territory, and in any occasion was sufficiently gritty to knock us down, squandering all the chances to escape banality and cause a positive impression. This dismal exercise, which shares a few tedious similarities with “The Water Diviner” in a different historical context, uses six distinct languages to construct an overlong narrative that falls short of its dramatic ambitions. Tahar Rahim’s performance failed to be compelling, while talented Mr. Akin was never so boring before, evincing an embarrassing lack of vision.

Iris (2014)

Iris (2014) - Movie Review
Directed by: Albert Maysles
Country: USA

Movie Review: Flamboyant, genuine, creative, funny, and with a delightful personality, the 93-year-old fashion icon and interior designer, Iris Apfel, was chosen to be the subject of another great documentary by the legendary Albert Maysles, who died on March 5th at the age of 88. He and his brother David became known for covering memorable realities, which were depicted in no less memorable nonfictional motion pictures such as “Salesman”, “Grey Gardens”, and “Gimme Shelter”. With an experience that admirably puts together the required straightforwardness and preciseness in the art of filmmaking, Maysles relied on the adroit editing by Paul Lovelace, building the perfect structure to put us in complete harmony with the self-assured Iris. In this film we learn much more about Mrs. Apfel than just the importance of her famous huge round glasses, colorful way of dressing, or the fashionable combinations of oddly shaped necklaces and bracelets, which all together compose her stylish look. Here we are the spectators of her enormous passion, dedication, generosity, and even the burden of aging. Her husband Carl revealed himself as witty as she is, contributing heavily to enrich the film. Iris describes herself in different manners, using sentences that remain in our heads for a while, so honest and true they sounded. Examples? ‘With me there's no intellectual, it’s all guts’, ‘it’s better to be happy than well-dressed’, ‘I was never beautiful, so I had to do something else to become attractive’, ‘I never wanted children – in life you got to give up something’. As fashion was never one of my topics of interest, I was suspicious about how would I react to this film. Gladly, I left the theater feeling great since “Iris” showed plenty of life, heart, and color. Wonderful goodbye for Albert Maysles.

Alleluia (2014)

Alleluia (2014) - Movie Review
Directed by: Fabrice Du Welz
Country: Belgium / France

Movie Review: An unsettling portrait of an uncontrollable obsessive love, which becomes stained by blood, is what the Belgian film director, Fabrice Du Welz, submits in his fourth and strongest feature-length, “Alleluia”, a twin of the classic noir ‘Honeymoon Killers’. The film, celebrating an infusion of crime thriller and horror, is divided into four acts, each of them corresponding to a different woman. These women are the victims of Michel (Laurent Lucas), a persuasive sort-of-sorcerer with a fetish for feet, who seduces them (marrying if needed) with the unique goal of seamlessly steal their money, so he can proceed with his comfortable life. In the first of these acts, he conquers Gloria (Lola Dueñas), a morgue employee and single mother who shortly finds out his dishonorable intentions, but resolves to forgive and accept him as he is. She even decides to leave her beloved daughter behind for a while to help him in his following schemes. Pretending to be his sister, she is invaded by a fierce jealousy every time he’s with his new ‘brides’, a state only comparable to an evil possession that shoves her to kill brutally and remorselessly. Even if not original, the energy and eeriness put on the scenes were sufficient to instantly catch our eye. The camera moves fast, in bold movements, often relying on close-ups to intensify the immoral insanity of the couple. Technically, “Alleluia” offers much to admire. In addition to Vincent Cahay’s score, which varies from intensively glum to frantically rhythmic, cinematographer Manuel Dacosse was able to extract beauty from the most horrific scenes, continuing the amazing work he has presented in Cattet/Forzani’s vividly colored films. Competently edited by Anne-Lore Guéguin, the obscene “Alleluia” is a perverse odyssey of love and madness.

Adult Beginners (2014)

Adult Beginners (2014) - Movie Review
Directed by: Ross Katz
Country: USA

Movie Review: The half-hearted dramedy, “Adult Beginners”, about a flopped entrepreneur turned babysitter and the relationships within the family, was Ross Katz’s feature-length directorial theatrical debut, following up the 2009 TV movie “Taking Chance” starring Kevin Bacon. Mr. Katz, who commenced his cinematic career as producer (“In the Bedroom”, “Lost in Translation”) doesn’t overcome the difficulties of choosing the best orientations to turn the film distinguishable, fact that, at no time, makes easier for us to connect with its characters. Screenwriters Jeff Cox and Liz Flahive based themselves on a story by the actor/comedian Nick Kroll, who pops up as Jake, a trendy technology businessman whose company is closing doors right after being launched. The disillusioned Jake is forced to move from the Big Apple and goes to live with his estranged sister, Justine (Rose Byrne), for a couple of months. Justine and her handyman husband, Danny (Bobby Cannavale), accept him with no big deals, but with the condition of Jake babysitting their 3-year-old son, Teddy, in their absence. Apart from the normal troubles that taking care of a child brings, some family issues will come up – Justine is pregnant again and Danny seems to have an affair. Jake starts dating Blanca, another babysitter whom he met on the playground, but reveals a low self-esteem that gets worse when his sister points a finger on him for not showing up to their mom’s funeral. Rather silly than clever, the episodic “Adult Beginners” weighs much more on the beginner side than on the adult one. It belongs to the category of comedies that put so much effort trying to be sweet and touching, but end up being prosaic and pathetic. I felt exasperated, searching for situations that could provide some good laughs, something that was never brought out. Regarding the performances: Rose Byrne was sturdy, Kroll was ok, and Cannavale disappointing.

Kurt Cobain: Montage of Heck (2015)

Kurt Cobain: Montage of Heck (2015) - Movie Review
Directed by: Brett Morgen
Country: USA

Movie Review: American documentarian Brett Morgen brings us an authorized biography of Kurt Cobain, the legendary lead singer/guitarist of the grunge band Nirvana. Even before the initial credits roll, we’re informed that the film was based on art, music, journals, super 8 film, and audio montages provided by the musician’s family. “Montage of Heck”, which has received limited theatrical release both in the US and UK, was fantastically conceived and edited, using occasional animation to recreate the fragments of Cobain’s life where no media was available. In addition to the mentioned media, we can listen to Kurt’s mother, Wendy O’Connor; his sister Kim; his former girlfriend, Tracy Marander; his friend and bassist in the band, Krist Novoselic; and obviously his wife and also rock artist, Courtney Love, who had the idea for this film. Curiously, Nirvana’s drummer Dave Grohl, who directed an interesting documentary called “Sound Studio” two years ago, wasn’t interviewed. The awesome voice of Kurt can be heard, not only in his powerful raw songs, in which he expresses all his anger and frustrations, but also through recordings where he unveils his first sexual experience, talks openly about drugs abuse, and makes considerations about his music and popularity. With a troublesome childhood in Aberdeen, Washington, characterized by the rejection of his own family and a few humiliating situations, Kurt developed a destructive side since an early stage, aspect aggravated by years of heroin addiction, illness, and depression. The film is elevated in its final part when his life with Courtney Love, likewise a drug-abuser, is nakedly presented. Throbbing with energy and ultimately sad, “Montage of Heck” discards traps, being mandatory for the fans and highly recommended for everyone else.

Avengers: Age of Ultron (2015)

Avengers: Age of Ultron (2015) - Movie Review
Directed by: Joss Whedon
Country: USA

Movie Review: “Age of Ultron”, the awaited return of the Avengers, brings new heroes to the screen, but is less satisfying and more exhibitionist than the earliest adventure dated from 2012. The six splendid guardians of the Earth – Iron Man, Hulk, Thor, Capt. America, Black Widow, and Hawkeye – are now battling Ultron, a unique supervillain robot who wants to get the perfect body for his malefic intelligence. With his nefarious robotic army, not only he intends to destroy the Avengers, as he also plans to eradicate humanity. At first, the twins – the ultrafast Quicksilver and the telepathic Scarlet Witch – back him up, swapping to the good side later on, immediately after perceiving his real plans. Joss Whedon directs what he had already started, only this time he wasn’t capable to infuse good laughs, also opting for computer-game style battles that were too confusing for my taste. Right from the first scene we could conclude that the action scenes would be fierce, mechanical, and exhausting. Whedon’s script tries to invent something more besides the battles, and outlines a tepid flirtation between Dr. Banner and Natasha Romanoff, some verbal disputes between Tony Stark and Steve Rogers, and a beautiful family for Clint Barton. Well, it didn’t really work as expected, since nothing relevant is extracted from these situations. What prevents the film from hitting the bottom are the very comfortable performances of the valuable cast composed by Robert Downey Jr, Mark Ruffalo, Scarlett Johansson, Chris Hemsworth, Chris Evans, and Jeremy Renner. The rigid “Avengers: Age of Ultron” probably will count with the support of the most enthusiastic Marvel fans, however, I was far from being seduced by its stunts and twirls.

5 Flights Up (2014)

5 Flights Up (2014) - Movie Review
Directed by: Richard Loncraine
Country: USA

Movie Review: Film director, Richard Loncraine, author of extraneous films such as “Wimbledon” and “Firewall”, takes boring routes to tell the story of an aging couple - the painter Alex Carver (Morgan Freeman) and his wife, Ruth (Diane Keaton) - who are arduously giving the first steps in order to sell their Brooklyn’s apartment and move to a more convenient one in another borough. Living on the fifth floor of a walk-up building for forty years, they’re relying on Ruth’s selfish niece, Lily (Cynthia Nixon), a talkative real estate agent who sees the transaction as a lucrative opportunity for herself. However, the couple is shrouded in doubt, experiencing a tender nostalgia invading their days. Will they be able to sell their cherished place where there are only joyful memories? If this wasn’t trouble enough, their old dog needs a delicate surgery and might not be able to walk again. Simultaneously, and out of their scope of action, the authorities join efforts to nab a menacing terrorist who’s causing the panic in the streets. With an unalterable pace, futile humor, and a narrative with no stilts or effective surprises, “5 Flights Up” feels moderately stale and unsuitable for young audiences. Morgan Freeman, whose career fell flat a long time ago with recurrent participations in silly movies, leaves the tough mission to Diane Keaton, slightly better, but still far from the required harmony we were looking for. The one to deserve accolade is Cynthia Nixon, an agreeable surprise as hyperkinetic, sly opportunist. The other positive aspect was the illuminated shots of Manhattan, where the vibrant, colorful life was amazingly captured. Charlie Peters, who also co-produces, wrote this allegedly feel-good drama based on Jill Ciment’s novel “Heroic Measures”. I wouldn’t bid on this one!

Flutter (2014)

Flutter (2014) - Movie Review
Directed by: Eric Hueber
Country: USA

Movie Review: Eric Hueber’s empathetic indie drama, “Flutter”, addresses the struggles of a mother in adverse times. Living in Bastrop County, Texas, in a messy house full of junk, JoLynn (Lindsay Pulsipher) tries her best to take care of Johnathan (Johnathan Huth Jr.), a naughty sweet boy who experiences strong ocular pressure spikes, a consequence of suffering from glaucoma. The way she found to handle this critical situation was giving him brownies made with weed, so his pressure remains at acceptable levels. She calls it medicine, and Jonathan seems to respond well to this improvised treatment. This represents only one of her many problems, since her husband, David, went away for an undetermined time in an inglorious attempt to find himself as a country musician, and the best he does is writing some hopeful letters without sending enough money to cover the three months rent she owes. Besides this, her mother-in-law, who lives right next door, is not so understandable as her father-in-law, Mark (Glenn Morshower), in regard to Jonathan’s behavior, and calls both the police and the social services for an inspection. JoLynn merely finds some support in Curtis, a neighbor who owns atypical animals and occasionally buys little bags of weed from her. Unaware of all these difficulties, Jonathan enjoys playing outside in the company of his precious pet, Weewee - the pig, living in a world of fantasy, which is unnecessarily represented on the screen by animated sequences. The precarious situation forces JoLynn to take actions she certainly isn’t proud of, putting at risk, not only the ones who help her, but also her son. The film’s intelligible structure avoids knots of any kind while the performances draw genuine scenes between mother and son.

Pasolini (2014)

Pasolini (2014) - Movie Review
Directed by: Abel Ferrara
Country: Italy / France / others

Movie Review: After a very personal and stinging recreation of the Dominique Strauss-Kahn case in “Welcome to New York”, Italian filmmaker Abel Ferrara continues fearlessly examining lives, and giving his own vision about the relevant situations involving them. This time he has chosen the last days of Pier Paolo Pasolini, a distinctive fellow professional and poet, author of masterpieces such as: “Accatone”, “Mamma Roma” and “The Gospel According St. Matthews”. The film starts with an interview to Mr. Pasolini where he speaks about his shocking last film “Saló”, admitting that sex is politics and that he draws some pleasure in scandalizing the audience. To quote him: ‘The ones who refuse the pleasure of being scandalized are moralists’. Explaining next that since he’s not a moralist, he accepts the insults from the people who don’t understand his work. Willem Defoe is once again Ferrara’s first choice, and an assured one, even when the character is more controlled, as in this case. “Pasolini” arrives intellectually and morally defiant but leaves in the shadow, due to the incapacity of tunneling in a clear way all the episodes that were supposed to form the final picture. One of them is the short appearance of the actress Laura Betti (Maria de Medeiros), Pasolini’s close friend – in a scene that seems not to have a purpose. Nevertheless, we can still have a notion of his personality, family life, politic ideologies, work philosophy, and sexuality - witnessing furtive sexual adventures with male youngsters. The real Ninetto Davoli, who at the age of 15 became Pasolini’s lover, plays Epifanio in a film inside the film, created from an unfinished script. Visually unrefined, fuzzy, and flawed, “Pasolini” still provides a worthy experience, yet those familiar with the director’s life are better positioned to enjoy it.

Far From Men (2014)

Far From Men (2014) - Movie Review
Directed by: David Oelhoffen
Country: France

Movie Review: Loosely adapted from Albert Camus’ existentialist short story “The Guest”, “Far From Men” is probably the most generous tale I’ve seen lately on film. Taking us to 1954’ rebellious Algeria, more precisely to the Atlas mountains, the third feature from writer/director David Oelhoffen overcomes every possible conflict among religions, probing an unlikely friendship between Daru (Viggo Mortensen), a solitary French Algerian-born schoolteacher, and a man entrusted to his care, Mohamed (Reda Kateb), a non-rebel Arab farmer who slit his cousin’s throat in a squabble about grain. The reluctant Daru, also a former French Army official, was ordered to take this apparently craven man to Tinguit to face trial and hear a verdict that certainly wouldn’t bring anything different than death. Surprisingly, is Mohamed himself who asks to be taken there, humbly accepting his fate. The fatiguing long walk, throughout the precarious rocky ground and occasional harsh weather conditions, will bring many encounters, some unwelcome, some less bad. As a man of principles, Daru gets visibly affected whenever an extreme situation forces him to kill. All he wants is to get back to his tiny school, but after listening to what the prisoner-turned-companion has to say, he presents him with the most beautiful of the gifts: the choice of freedom. At the sound of exotic melodies composed by Warren Ellis and Nick Cave, Oelhoffen thoroughly recreates the suffocating atmosphere of Camus’ works, thanks to the arid landscapes captured by the lens of cinematographer Guillaume Deffontaines, even if the pronounced Western genre seems a bit unreasonable within this context. Equally humane and sad, rather gentler than vibrant, the extremely well acted “Far From Men” addresses war, choices and courage in a very personalized way.

Fighters (2014)

Fighters (2014) - Movie Review
Directed by: Thomas Cailley
Country: France

Movie Review: Debutant filmmaker Thomas Cailley did a respectable job in “Fighters” (also known by the moronic title “Love at First Fight”), a breezy romance set in a small French seaside town during summertime. Yet, I must admit I expected some more from a film that collected four prizes in Cannes, three César awards, and the Prix Louis Delluc for best first film, among others. After the death of his father, the adroit Arnaud (Kevin Azais) decides to help his brother in the family business. Still, he hasn't completely decided if he wants to stay or join the army whose recruitments are taking place in his hometown. All the doubts will be dissipated when he comes across with Madeleine (Adele Haenel), a quirky girl who wants to join the army’s summer course in order to prepare herself for entering the hardest fight regiment. Madeleine is the soul of the film – impatient, restless, obsessive, physically strong, reactive to the minimum confrontation, and seductive. In turn, Arnaud is the heart of the film – calm, patient, protective, mindful, methodic, friendly and extremely generous. Heart and soul become one in the end, giving the best they have to help each other. An affable chemistry can be felt between the young couple who eventually finds their ways for smiling, even after an adventurous final episode where their lives were threatened. Cailley suavely portrays everything in a guileless way, impelling us to feel empathy for the protagonists. His strategy culminates in a heartening finale where vows of a fresh start are assured. Adele Haenel’s performance was colossal and “Fighters”, despite its many charms, sinned for lacking more ambition and for not having explored the adventure a bit further.

Good Kill (2014)

Good Kill (2014) - Movie Review
Directed by: Andrew Niccol
Country: USA

Movie Review: ‘Splash!’ and ‘Good Kill!’ are the most common expressions used by the US Air Force drone pilots when they remotely blow up their targets (supposedly Al Qaeda cells) throughout the blacklisted countries of the Middle East. Absent-minded Major Thomas Egan (Ethan Hawke) works with a small team, supervised by veteran Jack Johns (Bruce Greenwood), in an air-conditioned cubicle placed in the desert of Las Vegas. He’s the man who literally pulls the trigger, which is affecting him psychologically. What we see on their screens seems to be an entertaining video game, but the truth is that they’re killing real people, and that fact weighs in their consciences, especially when innocents are accidentally killed or when the inaccurate assessments about the suspects raise strong doubts, putting the ethics of their actions in question. Other times, they witness rapes and mistreatment against women and can do nothing about it. All this is aggravated by a serious marital crisis and the profound dissatisfaction caused by staying away from real combat and real planes. It seems too much for the decayed Thomas, who can only find some solace in vodka and in the multiple conversations with his sensible co-worker Vera Suarez (Zoe Kravitz). The film was pretty sustainable and quickly gained my attention, but during the last third, filmmaker Andrew Niccol seemed too busy inventing a couple of hackneyed situations to please Hollywood fans. Hawke remained sober in his role, carrying the film on his shoulders. Sometimes quietly stimulating, sometimes simply restrained, “Good Kill” ends up passing the message with efficiency but with no special distinction.

Alex of Venice (2014)

Alex of Venice (2014) - Movie Review
Directed by: Chris Messina
Country: USA

Movie Review: The true-to-life and unsentimental “Alex of Venice” works both as a character study and family drama. Even if not always cohesive in regard to the way it renders its characters, the film is solidly supported by an effectively constructed narrative and warm, glossy images, pulled out by the cinematographer Doug Emmett. Chris Messina, an actor-turned-director, managed to showcase affections and emotions with clarity, conveying a suave sensitivity without forcing or overdoing any circumstance of a story centered on a workaholic lawyer, Alex (Mary Elizabeth Winstead), whose life is turned upside down when her husband, George (Messina), leaves their house, located in the LA neighborhood of Venice. For a long time, he was unsatisfied for acting like a housewife – cleaning, cooking, and taking care, not only of their 10-year-old son, but also of his father-in-law, Roger (Don Johnson), an insecure washed-up actor who’s giving signs of needing medical care. Constantly in a rush, the super ambitious Alex is never around, never available, or concerned in enjoying a moment of relaxation in the company of her family. She’s almost a stranger to her own son who will get more and more attached to her recently arrived sister, the palely sketched Lily. Although the cast devotes all the efforts to turn this drama into a tight slice of real life, the film seems longer than its 86 minutes. And that comes from the fact that the characters moving around Alex are much weaker in terms of personality and consequently less interesting than she is. As an example, the episodes involving her father are redundant in terms of composition of the central story – it feels they’re just props filling some empty space. The result is enjoyable and still uneven when the pieces are put together.

Marshland (2014)

Marshland (2014) - Movie Review
Directed by: Alberto Rodriguez
Country: Spain

Movie Review: In Alberto Rodriguez’s crime thriller “Marshland”, a police investigation is set up in an undesirable little town of the Guadalquivir Marshes, Spain, during the busy harvesting period. The cause was a brutal double homicide of two teen sisters. The year is 1980. Agents Pedro (Raul Arevalo) and Juan (Javier Gutierrez) arrive from Madrid resolved to find the culprits of a crime that is obviously connected with other similar killings of adolescent girls in 77 and 78, in the same month of the year. The conspicuous, overwhelming displacement felt by the agents, was the main reason for them to remain united, especially taking into account their abysmal differences in personality and operation methods. Pedro is honest, direct, mostly correct in his procedures, and a meticulous observer; the kind of guy who thinks he can change the world. In opposition, Juan is sleepless, nervous, violent, and with a controversial past as a former header of Franco’s brigades. Even with precise clues (killer’s blood type and car), the case unlikely would come to a favorable conclusion without the help of some eyewitnesses, a few local smugglers, and an ‘inconvenient’ journalist. Mr. Rodriguez, who co-wrote with Rafael Cobos for the fourth time, revealed enough qualities to make me want to see what’s coming next. Less interested in taking the dangerous path of easy action, all his endeavors were directed to build mystery and set up sinister ambiances. The resolute camera work was firmly accomplished in many of the staggering passages of the film – intense chases, suspense situations, close-ups, little details, or mere landscapes. “Marshland” does better than its competitors (including Hollywood) and deserves to be seen for its compelling performances and well-cooked plot.

Silent Heart (2014)

Silent Heart (2014) - Movie Review
Directed by: Bille August
Country: Denmark

Movie Review: A very typical mood, composed of inherent tension and restrained laughter, it’s perceptible since the first minutes of the Scandinavian drama “Silent Heart” - part reflection on euthanasia, part portrait of a dysfunctional family. Directed by the veteran Bille August (“Pelle the Conqueror”, “The Best Intentions”), the story follows a family reunited during a weekend to spend their last days with Esther, the matriarch who suffers from ALS (a disorder involving the death of neurons). With the consent of the rest of the family, Esther has decided to spare everyone from the hardship that is stealthily approaching, and put an end to her life under the supervision of her doctor husband, Poul. Present at the reunion are: their exemplary older daughter Heidi, accompanied by her husband and adolescent son; their vulnerable, depressive younger daughter Sanne who took her weed junkie boyfriend with her; and finally Esther’s long-time best friend, Lisbeth. As expected, the plan won’t be too simple since the daughters planned to boycott the action after changing their minds for different reasons. A variety of personalities and needs, revelations and insecurities, old family memories, and some fabricated misunderstandings, make the rest of the story until the last moments, where the drama intensifies. In my eyes, the ending was a bit contrived, but Bille August, who always had a flair for pretty decent dramas, leaves in the air a sensation that he’s capable of giving us much better than this. From gentle to bitter, the sometimes-manipulative “Silent Heart” has its best scene when all the family agrees on smoking pot. The images were painted with dismayed colors, punctuated here and there by outdoor beautiful landscapes. Does serenity live here?

Beyond the Reach (2014)

Beyond the Reach (2014) - Movie Review
Directed by: Jean-Baptiste Leonetti
Country: USA

Movie Revciew: “Beyond the Reach” goes beyond the reality, failing to pass the exam due to its far-fetched situations and rushed solutions in its closing scenes. The French Jean-Baptiste Leonetti directs from a script by Stephen Susco (“The Grudge”) based on the 1972 well-regarded novel “Deathwatch” from Robb White. After a modest debut in 2011 with “Carré Blanc”, the filmmaker gives a giant step towards Hollywood, directing two celebrated actors, one from the old school, Michael Douglas (“Basic Instinct”, “The Game”, “Traffic”), and one showing much potentiality, Jeremy Irvine (“War Horse”, “The Railway Man”). The film is frustratingly trivial and never comes to something original, playing the traditional cat-and-mouse game with the same old clichés and a shameful lack of coherence and lucidity, essential conditions for it to become plausible and enjoyable. Douglas confidently plays the malicious Madec, giving life to a boastful, prosperous man who goes on a hunting trip across the blazing Mojave Desert in August. For the purpose, he hires Ben (Irvine), most likely the best guide in the state, who is fated to play simultaneously the victim and the hero. Equipped with a stylish Mercedes, a modern rifle, explosives, and all the communication needed to close his millionaire deals, the contemptuous Madec manifests an uncontrollable sadistic side after shooting accidentally a man whom he has mistaken for an animal. The best way he finds to deal with the circumstance is by incriminating the reddish Ben, who will fight to survive with no clothes nor water under the torrid sun. Invoking Peckinpah and J. Pakula, “Beyond the Reach” carries out an extremely risible defeat of a villain (a slingshot, really?), as well as the most ridiculous escape from a prison ever (anybody heard a helicopter?).


The Sisterhood of Night (2014)

The Sisterhood of Night (2014) - Movie Review
Directed by: Caryn Waechter
Country: USA

Movie Review: This small-scale psychological drama about a sisterhood formed at NY’s Kingston High School, draws our curiosity at first, but soon falls in dramatic loops, wobbly twists and turns, and a pitiable apathy in its last act that completely disrupts our initial interest. Debutant director, Caryn Waechter, who had to resort to Kickstarter’s financial help in order to bring her project to life, sets the stage as a documentary-fiction hybrid. The plot, written by Marilyn Fu who also co-produces, centers on a handful of teen girls who roam the night as part of a secret society, apparently involved in a sex scandal and bizarre rituals. The cult founder, Mary Warren (Georgie Henley), acts evasively and encourages her group to take vows of silence when a former member, Emily Parris (Kara Hayward), decides to unveil what happened in her baptism of fire by publishing delicate content on her blog. While the case grows to bigger proportions, drawing the attention of the media, parents, and teachers, Waechter consciously shows how vulnerable and sensitive some of these girls are in regard to family. Taking advantage of this bleary state, the screenwriter still took some time to set up a flirting case between, Gordy (Kal Penn), an approachable teacher, and one of the students’ mother. The story remains meager and centered on itself, a sort of psychological limbo that ends up being a torture. It never turns into real horror or tries to surprise us somehow, what it does, is merely playing with truths and lies in order to create some more disarray. Manifestly aiming at teen audiences, “The Sisterhood of Night” could have been better if more creative in its ideas and less immature in its modus operandi.