Blinded By The Light (2019)


Direction: Gurinder Chadha
Country: UK

Unlike the central character in Gurinder Chadha’s Blinded By The Light, I’m not a huge fan of American singer-songwriter Bruce Springsteen. However, that wasn’t a relevant factor for my dissatisfaction regarding this film, a comedy-drama inspired by the life of journalist Sarfraz Mansoor. The latter co-wrote the script in accordance with his memoir Bury Park: Race, Religion and Rock N’ Roll.

Set in Luton, England, in 1987, the story follows 16-year-old Saved Khan (Viveik Kalra), an insecure British-Pakistani who is deeply into Springsteen’s music. This is the good part of his life, alongside the sweet romance with an activist schoolmate, Eliza (Nell Williams), and friendships with Matt (Dean-Charles Chapman) and Roops (Aaron Phagura). Conversely, at home, Saved is consumed by the frustration of having his conservative, overbearing father, Malik (Kulvinder Ghir), which complicates even more the integration of the family in the British society. Moreover, the teenager is a recurrent target of racial discrimination. That’s when Springsteen’s powerful songs become an inspiration, an obsession, and a vehicle for him to expand ideas and develop his writing skills. Part of the encouragement came from his progressive teacher, Ms. Clay (Hayley Atwell).


The film is observant in terms of cultural differences and self-aware in the message to pass along. However, while Saved’s infatuation with the music of Springsteen becomes more and more annoying, the musical scenes, approached with an exuberantly theatrical posture and nostalgic vision, wanted so badly to impress that feel contrived. The soundtrack is wonderful, though.

Inspiring? Not to me. Lamentably, this bland exercise, cooked with euphoric floridness, never goes deeper than the surface.