The Most Precious of Cargoes (2024)

Direction: Michel Hazanavicius
Country: France

From Michel Hazanavicius—the director of The Artist (2011)—The Most Precious of Cargoes marks his first animated feature, adapted from a novel by French playwright and author Jean-Claude Grumberg. The story centers on a poor woodcutter and his wife who, unable to have children, are unexpectedly blessed with a Jewish baby thrown from a moving train bound for Auschwitz. Narrated by the late Jean-Louis Trintignant—who passed away in 2022—the film is steeped in rural isolation, irrational beliefs, and the unspeakable horrors of the Holocaust, a hauntingly fertile ground for such a tale. Though animated, this is not an easy watch—nor should it be. It serves as a quiet, poignant resistance to the gradual and inevitable fading of our collective memory.

Hazanavicius, whose roots lie in an Eastern European Jewish family, crafts a postmodern fairy tale with simplicity and effectiveness, evoking deep emotion through acts of kindness and humanity. Even with modest dialogues, he generates a great deal of drama with a fierce kind of courage. This is reinforced by Alexandre Desplat’s oversentimental score.

Memoir of a Snail (2024)

Direction: Adam Elliot
Country: Australia

Memoir of a Snail, a darkly humorous stop-motion animation loosely inspired by director Adam Elliot’s own life, chronicles the trials and tribulations of lonely Australian misfit Grace Pudel, from childhood to adulthood.

Grace is a hoarder, an obsessive snail collector, and kleptomaniac born prematurely. She narrates her poignant story to Sylvia, her favorite snail, now set free for good. Through her reflections, we learn about her transformative friendship with Pinky—a liberal octogenarian who taught her to see life differently and embrace hope over despair—her strong bond with her twin brother Gilbert, and her complex relationship with her secretive repairman husband, Ken.

Sadness permeates Grace's journey, layering despair upon despair, yet the film offers a final glimmer of hope. Despite its melancholic undertones, Memoir of a Snail stands out as a beautifully crafted tragicomedy for adults, consistently daring in its intellectual and emotional exploration. The story's distinctive tone and bittersweet idiosyncrasies highlight themes of loss, loneliness, and resilience. 

As animated work, it is visually flawless, and as a drama, it achieves an emotional depth that surpasses many live-action films this year. It offers a mature, therapeutic, and unsentimental examination of a singular life, where every element integrates seamlessly. For all its intentionally bizarre qualities, the film retains a dark humor and sharp visual wit, blending hope and heartbreak with devastating emotional impact.

Wolfwalkers (2021)

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Direction: Tomm Moore / Ross Stewart
Country: Ireland / UK / other

Wolfwalkers, the third installment of Tomm Moore’s animated Irish Folk Trilogy, provides an enriching experience with a 17th-century tale that involves wolves, humans and magic (wolfwalkers are humans that turn into wolves in their sleep). Following The Secret of Kells (2009) and Song of the Sea (2014), this gorgeous animation written by Will Collins from a story by Moore and co-director Ross Stewart, shows a deep criticism of religious fanaticism and an admirable respect for the Earth’s living creatures put in danger by ignorant men.

The young apprentice hunter Robyn (voice of Honor Kneafsey) is too lively and curious to be confined at home as her father (Sean Bean), an experienced English hunter tasked to kill all the wolves in the Irish town of Kilkenny, instructed her. Instead, she befriends Mebh (Eva Whittaker), a junior wolfwalker in search of her long-gone mother.  After being bitten by the latter, Robyn becomes a wolfwalker herself, which raises an obvious question: how can her father exterminate the wolves when his daughter became one of them? 

Without being flashy, the animation is workmanlike at best, and the fantastic story has a lot to like. Just sit back and enjoy, because this is not just a delightful film but an important one.

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