Joker: Folie a Deux (2024)

Direction: Todd Phillips
Country: USA 

Five years after the remarkable Joker, its sequel, Folie à Deux, feels more like a crowd-pleasing cabaret show than a gripping psychological thriller. Directed once again by Todd Phillips and starring Joaquin Phoenix, the film fails to capture even half the impact of its predecessor. While attempting to juggle multiple genres—a courtroom drama, a depressive musical, a twisted love story, and a social satire—it ultimately collapses under the weight of its own ambitions. 

Lady Gaga co-stars as the manipulative Lee, also known as Harley Quinn, singing mediocrely throughout and showing little to no chemistry with Phoenix. Their bizarre romance lacks the emotional depth needed to sustain the story, and the film looks too self-absorbed in showing the viewers how quirky and moving it thinks it really is. Meaningless and unnecessarily long, Folie a Deux is less and less appealing as it lurched toward the end. If you’re expecting chills or thrills, you'll be disappointed. The inclusion of jazz standards disrupts any potential for the sinister, unsettling atmosphere one might expect from a film centered on iconic supervillains.

Despite these shortcomings, Phoenix always fascinates, though even his brilliance can’t salvage the awkward plot. The film never fully draws you in, but for fans of Phoenix, his performance may be the only saving grace in an otherwise lackluster sequel.

A Star Is Born (2018)

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Directed by Bradley Cooper
Country: USA

Actor Bradley Cooper (“Silver Linings Playbook”, “American Hustle”) makes his directorial debut with “A Star is Born”, a 21st-century remake of the 1937 classic of the same name directed by William A. Wellman. He co-stars alongside pop star Lady Gaga in her first theatrical appearance. With a score composed by Gaga and Willie Nelson’s son, Lukas Nelson, Cooper attempts to successfully combine the power of music with the sharp cinematography of Matthew Libatique (Darren Aronofsky’s first choice), as well as the fluctuations of romance with the complications of personal/professional life.

Cooper is Jackson Maine, an alcoholic country-rock star who finds in nightclub-singer Ally (Gaga) a reliable partner in music and life, giving her the opportunity to make the leap to international fame and become a celebrity. However, his alcoholism doesn’t make things easy for her, becoming worse after she gets her first musical contract. From this point on, their relationship becomes arduous as Ally steps up toward stardom whereas Jackson keeps declining.

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This romantic if tragic musical drama achieves its climax when Ally is publicly embarrassed by Jackson’s behavior at the Grammy awards.

Gaga’s last song brings some emotion, which could never compensate for the absence of it during the rest of the film. Her performance was solid enough, while Cooper’s bloodshot eyes and general look are natural from a heavy drinker. However, the film didn’t touch me in the heart, presenting more inept than satisfactory moments, both drama and music-wise.