Sinners (2025)

Direction: Ryan Coogler
Country: USA

Sinners—a wildly entertaining film that, while echoing many others, ends up unlike anything you've seen—marks the fourth collaboration between director Ryan Coogler (Creed, 2015; Black Panther, 2018) and actor Michael B. Jordan. It’s far from the conventional blockbuster one might expect, fusing themes of segregation and racism with vampire lore, gangster drama, and religious undercurrents, all orchestrated with a sense of direction that is both bold and disarming.

Set in Clarksdale, Mississippi, in the early 1930s, the story follows gangster twins Stack and Smoke (Jordan excels in the dual role), who return from Chicago and take their young cousin Sammie Moore (Miles Caton)—the son of a preacher and an aspiring blues musician—under their wing. They purchase a sawmill from a Ku Klux Klan member and convert it into a juke joint. On its opening night, the venue is suddenly overrun by vampires.

Resembling a smart mash-up of Dee Rees’ Mudbound and Robert Rodriguez's From Dusk Till Dawn, Sinners occasionally takes bold stylistic detours with flashes of modernity, culminating in a feverish crescendo that evokes some of the most iconic action and vampire films. It may not send chills down your spine, but it's a thrill ride—bolstered by confident performances, a compelling recreation of the 1930s American South, and impressive special effects. It also lands like a slap to the face in terms of musical impact.

Coogler’s achievement is also technical—the film was shot in two distinct formats—and the vampire parable it weaves feels more timely and relevant than it initially appears.

Creed III (2023)

Direction: Michael B. Jordan
Country: USA 

Creed III is the third installment in the Creed boxing film series and the ninth in the Rocky franchise. Actor Michael B. Jordan, here promoted to director, tries to impose his own style but couldn’t eradicate some of the exhausted formulas that marked the Rocky saga. 

In this chapter - without Sylvester Stallone in the cast - Adonis Creed (Jordan) retires from boxing in glory, dedicating his time to family and the boxing academy he runs with Tony ‘Little Duke’ (Wood Harris). They keep busy preparing and promoting their undefeated world champion, Felix Chavez (played by the former welterweight champion José Benavidez in his debut acting role). Life is good until Adonis’ ambitious childhood friend, ‘Diamond Dame’ Anderson (Jonathan Majors), is released from prison after 18 years. Surprisingly, and despite his age, he asks for a chance to fight for the title. 

Even with some adrenaline rush occurring inside the ring, there’s no attribute that stands out from the common lot. Repeated clichés and melodramatic bait are found in a plot that slowly unravels with each implausible turn, making Creed III excessively artificial. 

Many of Jordan’s options in the plot and direction are questionable. Take for example his decision to mute the sound and make the audience disappear during the final clash. It just removed all the energy built before, curbing the enthusiasm for the rest of the fight. What really concerned me was his inability to set this work apart from the better films that inspired it.

Nothing really motivates us, both emotionally and scenario-wise, and many will throw in the towel. Adonis, maybe it’s time to really hang up the gloves!