Direction: Martin Scorsese
Celebrated filmmaker Martin Scorsese has shown his knack for music documentaries with solid works such as The Last Waltz (1978), Shine a Light (2008), and George Harrison: Living in the Material World (2011). However, his efforts reveal disappointing results in Rolling Thunder Revue, a sort of mockumentary with real and fake footage and fabricated interviews about Bob Dylan’s legendary concert tour in the mid-70s. The series of concerts would allow Dylan to perform in smaller venues in a more intimate connection with the audience. The political context comes forward and goes well with the confrontational activism of the talented young musicians, who abandoned themselves to socially conscious, politically charged music.
While Joan Baez, Joni Mitchell, and Allen Ginsberg were actually part of this American caravan, the unsatisfied filmmaker Stefan Van Dorp, event promoter Jim Gianopulos, and Rep. Jack Tanner are all fake characters played by actors. Moreover, Scorsese utilizes Sharon Stone, in flesh and bone, as tantalizing bait to his story, increasing the mordancy when she states, flattered, that “Just Like a Woman” was written for her. Conversely, the story behind the protest song “Hurricane”, written for boxer Rubin ‘Hurricane’ Carter, is authentic.
The music is great, yet this artful satire never really stood out as something really big, working more like a benign prankster spreading misinformation than giving a consistent insight about the topic. In a similar way, the interviews only served to make things more recondite, enhancing the artificiality of a make-believe that, at least, could have put an extra effort to be funnier. Rolling Thunder Revue doesn’t break any ground and proves more unimaginative than impressionistic.