Afloat (2024)

Direction: Aslihan Unaldi
Country: Turkey 

This well-crafted drama written and directed by debutant Aslihan Unaldi has its flaws but remains engaging. An intimate, unsettling look at Turkey's bourgeoisie, the film explores family dynamics with a script that provides just enough clarity to hold the viewer's interest.

The story centers on New York-based Zaynep (Nihan Aker), an aspiring documentarian, who arrives in a small coastal Turkish town to spend some family time with her divorced parents (Lila Gürmen and Serhat Ünaldi) and younger sister (Elit Iscan). She brings her protective American husband, Stephen (Oscar Pearce), with her. The confined spaces and limited privacy on the boat play a role here, enhancing tensions in a low-key chamber piece that, never really boiling, generates a subtle intrigue. 

The film seems compassionate to, and appreciative of, the people it chronicles, showing a somewhat vague if curious political side that characterizes contemporary Turkey. Much of the action unfolds naturally, steering clear of the melodrama that often dominates family narratives. Unaldi’s unobtrusive filmmaking style shows promise, and the female cast members deliver particularly compelling performances.