Maria (2024)

Direction: Pablo Larraín
Country: USA / Italy / Germany

With Maria, which depicts the final week in the life of legendary American-born Greek opera singer Maria Callas, Chilean director Pablo Larraín completes his trilogy of biopics spotlighting women who shaped the 20th century. Following Jackie (2016), where Natalie Portman portrayed Jackie Onassis, and Spencer (2021), starring Kristen Stewart as Lady Diana, this film casts Angelina Jolie in a surprising and transformative performance as Callas. Jolie not only embodies the role with grace but also lends her voice to the singing. However, despite its poignancy, the screenplay— penned by Steven Knight (Dirty Pretty Things, 2002; Eastern Promises, 2007)—falters in delivering emotional resonance in pivotal moments. 

At 53, Maria lives in Paris, haunted by a traumatic childhood in Athens and the realization that her voice, once unparalleled, has faltered. Alternating between reality and imagination, she leans on her devoted butler Ferruccio (Pierfrancesco Favino) and housemaid Bruna (Alba Rohrwacher) for support. Flashbacks, rendered in stark black-and-white, vividly illustrate her turbulent teenage years and her fraught relationship with the charismatic but domineering Aristotle Onassis (Haluk Bilginer).

Filmed with grandeur and sophistication, Maria eschews melodramatic artifice but probably could've benefited from a little more energy in its telling. While polished and coherent, the drama feels predictably prepackaged. Larraín and Jolie keep the picture moving, yet struggling to showcase how the diva’s trauma and health decline affected her final artistic aspirations. 

The period details are meticulously crafted, and Ed Lachman’s cinematography is nothing short of stunning, but the staging constantly oscillates between elegant mannerism and calibrated realism. Maria is dispensable, and only Jolie’s masterful performance can make it a worthwhile watch for admirers of the actress and the opera icon alike.

Ennio (2024)

Direction: Giuseppe Tornatore
Country: Italy 

This illuminating, elucidative, and enthralling documentary delves into the life and work of Ennio Morricone, the most popular and prolific composer of the 20th Century. Directed by Giuseppe Tornatore (Cinema Paradiso, 1988; The Legend of 1900, 1998), the film establishes a genuine closeness with the artist. Classic in form yet highly informative, it is neatly structured and strikes a perfect balance. Tornatore skillfully intersperses interviews with key figures such as filmmakers, musicians, screenwriters, and collaborators, alongside insightful footage fragments from Morricone's different career phases.

Throughout the documentary, viewers uncover treasures from the legendary composer's journey. Morricone's father initially envisioned him following in his footsteps as a trumpet player, never imagining he would become one of the greatest film scorers in history. Described as enigmatic, discreet, serious, crazy, and innovative, Morricone candidly discusses his frustrations and triumphs, expressing only one regret: not collaborating with Stanley Kubrick on his 1971 masterpiece, Clockwork Orange. Despite grappling with criticism and feelings of guilt due to his involvement in film, the composer pushed himself even harder, consistently displaying originality and a penchant for experimentation.

Ennio takes audiences on an emotional journey without descending into melodrama, partially thanks to the masterful editing by Massimo Quaglia and Annalisa Schillaci, who keep things fluid and interesting. After watching this documentary, viewers may find themselves drawn deeper into Morricone's brilliant soundtracks and compelled to explore his musical genius further.

Pinball: The Man Who Saved the Game (2023)

Direction: Austin Bragg, Meredith Bragg
Country: USA 

Considered a game of chance in the 1970’s, pinball was banned for 35 years in New York. Roger Sharpe was the man who managed to overturn that drastic measure when he moved to the city with the intent of becoming a writer. This true story is at the center of the Bragg Brothers’ biopic Pinball: The Man Who Saved the Game.

Active since the mid 2000’s, the pair of directors finally make their debut feature with a biographical comedy that, following traditional narrative procedures, gains momentum with enchanting well-written dialogues and a smart structure. It’s also romantic in its own way, and an optimistic confection, sometimes frothy, sometimes exceptional, that feels like it might have sprung from the era it portrays. 

Creatively told, the story acquires a dazzling motion while purposely exaggerating the documentary within the film versus the facts, realistically expressed by Mr. Sharpe of our days (Dennis Boutsikaris). The young Sharpe, owner of a peculiar mustache and vivid manners, is played by Mike Faist (West Side Story, 2021), who makes a wonderful pair with Crystal Reed (Teen Wolf: The Movie, 2023), the love of his life. 

The Braggs inject a few drops of acid into what would be a simple story, turning it somewhat cartoonish but seductively amusing. Pinball won’t be among your standard biopics but rather a favorably low-key portrait whose well-oiled mechanisms intend to divert as much as inform.