Direction: Robert Eggers
Country: USA
Gothic morbidity saturates Nosferatu, a fable of supernatural torment and human sacrifice that’s reasonably chilling, offering a sumptuous engorgement of the senses. This latest adaptation, written and directed by Robert Eggers (The Witch, 2015; The Lighthouse, 2019; The Northman, 2022), is a remake of F.W. Murnau’s 1922 horror gem Nosferatu: A Symphony of Horror. More monstrous and barbaric than its previous incarnations, Nosferatu is true to Eggers’ singular style, who made it darker and dirtier but still imbued with the essence of German expressionist cinema.
Eggers' Nosferatu sheds the trappings of traditional horror to embrace a lavish yet unsettling modern interpretation of vampirism. Though bleak and brutal, it lacks sustained suspense but introduces intriguing new elements that captivate. Lily-Rose Depp, stepping in for Anya Taylor-Joy, delivers a commendable performance as Ellen, bringing depth and nuance to the role. Willem Dafoe, in his third collaboration with Eggers, portrays Professor Von Franz, an authority on alchemy, mysticism, and the occult who aids Ellen as her dreams grow more sinister and possessions intensify. Bill Skarsgård embodies the ominous Count Orlok, a vampire consumed by an obsessive desire for Ellen since her youth.
Jarin Blaschke’s impeccable cinematography masterfully captures the brooding atmosphere, while the period-appropriate costumes enrich the film’s dread-laden 19th-century ambiance. Despite a few unnecessary stretches, Nosferatu may not reach the pinnacle of vampire cinema, but it remains a taut and eerie spectacle anchored by strong, compelling performances.
