Direction: Wim Wenders
Country: Japan / Germany
Acclaimed German director Wim Wenders (Alice in the Cities, 1974; Wings of Desire, 1987; Paris Texas, 1984) returns to Japan - where he filmed Tokyo-Ga nearly 40 years ago - to shoot Perfect Days, a simple and endearing tale co-written with screenwriter Takuma Takasaki. Drawing inspiration from Ozu's filmmaking style, Wenders crafts a narrative characterized by nuanced circularity and a gentle pulse, offering a film that soothes the soul rather than warping the brain.
Koji Yakusho portrays Hirayama, a quiet and hardworking public toilet cleaner residing alone in Tokyo. Despite his solitary lifestyle, he finds joy in nature, photography, literature, and ‘70s rock music, cherishing the beauty in life’s little details. With a sweet shade of detachment from the real world, the humble Hirayama transmits the pure bliss of being thankful for everything he has, searching for beauty in every aspect of his daily routine. However, his tranquil existence is disrupted when his estranged niece, Niko (Arisa Nakano), unexpectedly pays him a visit, coinciding with tensions arising from his young assistant, Takashi (Tokio Emoto), who has fallen in love.
Yakusho delivers a pitch-perfect performance, carrying the weight of the narrative with ease, while Wenders approaches the story with a sense of politeness, eschewing flashy theatrics. Undeniably, the film's power lies in its restraint, opting for hopefulness over heartbreak and exuding a strange yet beautiful gentleness of spirit. Perfect Days unfolds with airy grace and poetic substance, masterfully composed in a minor key that never feels repetitive or aggressive in its narrative cycle. Not seeking to impress you, this amply generous and pure cinematic gesture will probably touch you in the heart.
