Direction: Bong Joon Ho
Country: USA / South Korea
Mickey 17, based on the novel of the same name by Edward Ashton, is an ambitious but imperfect sci-fi blockbuster laced with black humor, social satire, and political bite. It centers on Mickey Barnes (Robert Pattinson), who volunteers to travel to a freezing planet as an “expendable”—a human whose body is cloned and reloaded with memories each time he dies. The planet is not only home to misunderstood alien beings called Creepers but is also governed by an authoritarian couple (Mark Ruffalo and Toni Collette) with bizarre, decadent tendencies.
The film, co-written and directed by first-rate Korean director Bong Joon Ho, doesn’t avoid some lengths and histrionics. One moment, it slips into a romantic soap opera that irritates more than it intrigues; the next, it evokes the spirit of resistance cinema—admirable in intention, but never fully realized in execution. Much like its protagonist, the narrative seems to reset every time it gains momentum, and the distinctly American brand of humor often feels bland or misplaced.
Mickey 17 ultimately falls short of expectations, and that is particularly painful given Bong's track record with masterpieces like Parasite (2019), Memories of Murder (2003), Mother (2009), and Snowpiercer (2013). Realism and caricature get locked in the same structure, and while the ballsy social commentary still holds up, the film never delivers the full-impact blow we hoped for.
