The Marching Band (2025)

Direction: Emmanuel Courcol
Country: France

The Matching Band, a comedy-drama co-written and directed by Emmanuel Courcol, navigates admirable humanism and warm emotion while exploring the fragile bond between two brothers who have only just discovered each other’s existence. Set in northern France, the story follows Thibaut (Benjamin Lavernhe), a successful 37-year-old conductor in desperate need of a bone marrow transplant, who also learns that he was adopted as a child. His only hope lies in contacting his biological brother, Jimmy (Pierre Lottin), whom he had never known. Despite their vastly different upbringings and lifestyles, the brothers find a shared language in music.

The Marching Band is an optimistic yet ultimately heartbreaking drama, elevated by a spirited score but marred by uneven performances—Lavernhe is more convincing than Lottin, who previously worked with Courcol in The Big Hit (2020). The film sometimes feels like a retread of familiar stories, revealing a degree of superficiality in certain areas. Its take on social determinism carries some heart, but despite its transparent staging, it lacks the raw urgency and piercing precision of Ken Loach’s realism. Instead, Courcol leans into light comedy and a saccharine tone that occasionally borders on condescension.

The plight of the mining community and its marching band, along with the romance between Jimmy and fellow band member Sabrina (Sarah Suco), feels underdeveloped—more like narrative filler than fully fleshed-out subplots. While the script doesn’t always ring true, the film ultimately lands with a powerful dramatic finale.