September 5 (2024)

Direction: Tim Fehlbaum
Country: USA

In September 5, Swiss director Tim Fehlbaum (Tides, 2021) turns his lens to a harrowing event that shook the world of sports in 1972. During the 20th Summer Olympics in Munich, Palestinian terrorists known as Black September took a team of Israeli athletes hostage. Simultaneously, journalists and executives from ABC Sports were forced to interrupt their coverage of the competitions to broadcast the crisis live—a historic moment witnessed by 900 million people worldwide. 

This informative inside-room thriller borders on documentary, meticulously recreating a pivotal moment in television journalism. The film’s attention to detail is striking, particularly in its reconstruction of a fast-paced 1970s TV studio. Yet, it lacks dramatic punch, favoring simmering tension over raw emotion, and appearing slightly below its potential. 

That said, Fehlbaum effectively channels the spirit of 1970s American cinema in a classic way, raising questions about the media’s responsibility in real-time crisis reporting. While the story had the potential for grander impact, it remained somewhat unthrilling, especially for those familiar with the events.

The ensemble cast—including John Magaro, Peter Sarsgaard, Leonie Benesch, and Ben Chaplin—delivers solid performances, though no one truly stands out. Still, the film successfully explores journalistic ethics, weaving moral dilemmas and personal ambitions into its narrative with nuance and objectivity.

Memory (2024)

Direction: Michel Franco
Country: USA

Mexican writer-director Michel Franco, whose body of work includes After Lucia (2012) and Chronic (2015), returns with Memory, a taut, beautifully composed drama where every moment holds weight. The film traces the journey of Sylvia (Jessica Chastain), a Brooklyn-based social worker, single mother, and recovering alcoholic, who discovers a sense of solace in her strained family dynamics through her relationship with Saul (Peter Sarsgaard), a stranger grappling with early onset dementia. However, things get complicated as they grow closer.

There’s a real emotional heft to Memory as it weaves together themes of trauma, resentment, guilt, hope, and healing. Chastain and Sarsgaard give life to understated yet memorable characters with their riveting performances.

Assuring that his fine narrative development leads to a positively simplistic resolution, Franco directs the film with both elemental allure and haunting familiarity. He skillfully shapes every aspect of this poignant exploration of healing love with an ultra-realistic vision and precise calibration, avoiding clichés or despair while maintaining authenticity.