More Than Ever (2023)

Direction: Emily Atef
Country: France 

In Emily Atef’s death-related drama More Than Ever, Vicky Krieps invests passionately in her performance, releasing a subtle discomfort that comes between exasperation and swallowed tears. This film is certainly a strange experience if we think that it marked Gaspard Ulliel’s last performance after the tragic skiing accident that took his life in 2022. He was 37. 

Hélène (Krieps), who is in her early thirties, and Mathieu (Ulliel) try to organize their Parisian life after the former is diagnosed with a rare, progressive, and ultimately terminal disease called IPF - idiopathic pulmonary fibrosis. Their love is strong but the visibly depressed Hélène, for her own sake, decides to make a trip to Norway and stay with a blogger (Bjørn Floberg) she met online. 

Between Paris and the Norwegian fjords, a slow agony unfolds with quietude but also luminous hope of reaching a higher state of mind. In each shot, Atef breathes sensitivity, but her approach suffers from a stiffness that is compared with the romantic stillness that affects the protagonist's spiritual process. 

Profoundly human and saddled with a mix of somber and limpid energy, More Than Ever is, in some measure, a slightly conventional work that could have explored its characters a bit deeper. Still, we can’t help feeling sorry for this strong, searching young woman, whose life changed so abruptly. Not necessarily bowled over by what I was seeing, this is not a dislikable drama.

Corsage (2022)

Direction: Marie Kreutzer
Country: Austria 

Staged with maturity and discernment, Corsage is a moody fictional period drama focused on the restless 40-year-old Empress Elizabeth of Austria, who, tired of conforming with the immaculate figure she had promoted in her youth, becomes an object of criticism, gossip and rumors. Impulsive and unfaithful, the princess is seen with distrust by the society and her family, often embarrassing her husband, the Emperor Franz Joseph I (Florian Teichtmeister) and children. Although Sissi’s erratic behavior makes impractical a salutary public image, she exhibits a compassionate personality for the war-wounded men and mental patients.

Perpetually commanding in the lead, Vicky Krieps is impressive in the role. Corsage serves as another showcase for the amazing acting skills of this confident actress who also managed to unearth strong and complex characters in Bergman Island (2021), Hold Me Tight (2021) and Phantom Thread (2017). 

Austrian filmmaker Marie Kreutzer (The Ground Beneath My Feet, 2019), besides taking some liberties in the script and form, avoids unnecessary entanglement and has no use of sentiment in a story mounted with enough self-destructiveness, mordancy and rebelliousness for us to enjoy it bitter. Even if sparse in surprises and quite unconvincing as a depiction of the 19th-century aristocratic life, the film keeps us interested, with a story that, being as stiff as the Empress’ corset tightness, carries a lot of metaphor regarding modern women. It deserves some attention for its tenacity and provocation.