Queer (2024)

Direction: Luca Guadagnino
Country: USA

Queer is an unimaginative adaptation of William S. Burrough’s 1985 novella, tracing the peculiar journey of his literary alter ego. In 1950s Mexico City, William Lee (Daniel Craig), an American expat in his late forties, leads a solitary life amidst a small American community. However, the arrival in town of Eugene Allerton (Drew Starkey), a charming young student recently discharged from the U.S. Navy, stirs William into finally establishing a meaningful connection with someone. Directed by Luca Guadagnino (Call Me By Your Name, 2017; Suspiria, 2018; Challengers, 2024), with a screenplay by Justin Kuritzkes, the film focuses on a strong character but fails to explore his emotional complexities. 

The film is built on an uneven collection of episodes and intensities that never takes us anywhere despite a feverish final act. The director is true to form, yet the film’s sterile, overly polished approach never truly engages the heart or mind. The climactic descent into spiritual reckoning feels heavy-handed, offering no real payoff.

Craig delivers an impressive performance portraying a man of self-sufficiency and excesses, but Guadagino's approach bothered me as he unoriginally tries to shape the couple’s bonding as revelatory. There’s no need for wider social and cultural context, but in terms of romance, emotions struggle to pop up. The film’s strongest assets are its evocative cinematography by Sayombhu Mukdeeprom—whose lighting draws inspiration from Flemish painters—and a powerful contemporary soundtrack featuring Nirvana, Prince, and Sinéad O’Connor. However, these flourishes aren’t enough to elevate an otherwise hollow experience.

No Time to Die (2021)

Direction: Cary Joji Fukunaga
Country: UK

No Time to Die, the 25th installment in the James Bond/007 series and the last involving Daniel Craig as the famous British spy, is here not to please the fans but to create something anew; it succeeds in that aspect since it carves a personality of its own, depicting the agent at a mature age, more romantic than seducer but also less witty. Another fresh aspect is that the women in the film steal the show, particularly Ana de Armas playing a bold novice CIA agent in a short scene that competes with the Aston Martin’s rampage killing for the best action sequence. 

There’s no lack of style or pace from director Cary Joji Fukunaga, whose past work includes interesting films such as Sin Nombre (2009), Jane Eyre (2011) and Beasts of No Nation (2015). But the film is far from perfect, displaying a few gaps in the plot, which occasionally and unnecessarily link to the previous Casino Royale (2006) and Spectre (2015) while struggling with an extended duration. Yet, this is still a likable spy-action fun with a few unusual twists that, carrying an extra emotional charge, makes it a singular chapter in the Bond adventures. 

Craig looks cool and holds our attention while taking care of somewhat understated villains - scientist Valdo Obruchev (David Dencik), terrorist leader Lyutsifer Safin (Rami Malek) and Spectre’s mastermind Ernest Blofeld (Christoph Waltz). He also falls seriously in love with Mr. White’s daughter Madeleine Swann (Léa Seydoux), promptly leading to the conclusion that the irresistible Bond is tired and ready to settle down. 

Having said that, never a James Bond film was so mournful.